Here’s the first pass of the pencils for a possible comic re-print of my Sîan story. I’ll post the inks when I’ve got them done.

I first worked on a tablet, drawing directly on the computer, for my last animation contract as lead character designer on CAILLOU season IV. My job had me spending one week drawing any new characters and costumes on paper one week, and the next week “inking” them digitally and breaking the character down into movable parts for the animators to use. Since the first day playing around with the new tablet at work, and seeing the range of pressure sensitive brushes available, I’ve wanted to try my hand at inking a comic digitally.

For the first run of the Chelation Kid, I drew everything by hand. I ended up doing a lot of reuse of poses in the sequences where Bob as the narrator would be talking directly to the audience. Instead of doing what most other strip artists would do and cut and paste the poses, changing the odd facial expression, I would light table my pose, then trace it out on the pages and re-ink each pose individually. So, I decided a while back that when I was able to return to CK that I would take the plunge and do it start to finish digitally and take advantage of the quick cut and paste options that digital would open up to me.

A lot of artists I know through The Engine message board, and now Panel & Pixel, swear by Manga Studio Ex. I played around a little with the demo and wasn’t convinced, but two weeks ago we got enough funding to do two new weeks of CK, so I took the plunge and downloaded the $50 intro version of the software. After a bit of playing around, I found with the intro version I could import photoshop art and export the finished art to photoshop (my only main requirement) and then discovered I could rotate the canvas like I would turn a physical page while inking. I’m going to have to pick a few brains to find out what the $300 version has that I might need that would make me need to upgrade. So far this luddite is happy with the dumbed down version.

Anyway, so far I have completed one week, and the second week has two days that need to be finished off. It’s taking a bit of getting used to, but I’m getting there. While the cut and paste option is freeing up some time, it’s taking me a lot longer to draw and ink, so it’s about equal, but I’m sure the speed will come in time. One advantage of working digitally that I think will eventually speed me up is that I can now do a large part of my initial drawing in “ink” cutting out a chunk of the pencilling stage. I do a lot of my pencilling with the eraser, refining what I’m drawing by erasing the lines I don’t want. Well, digitally it’s as easy to erase ink lines as it is pencil.

The first digital week of The Chelation Kid (running right now) is, to my eye, not the best of CK, but a couple of the strips of the second digital week I feel that I’m starting to match my traditional work.

To illustrate, here’s an example of one of next week’s strip’s “pencils”. Much rougher and sketchier than I would ever start inking from on paper.

And now here is the final “inked strip.

One of Manga Studio’s main features are the pre-set zip-tones. I haven’t use tones in my work in over a decade, but they are just too easy to use in MS to resist.

I’d be curious to hear comments on what anyone thinks of my early digital attempts. I can’t imagine changing to completely digital on all my projects ( I love the feel of pencil, pen, and brush on paper too much) but it is definitely a skill I want to cultivate, and for the time being the Chelation Kid is acting as Guinea Pig

Yup, after a nine month Hiatus the Chelation Kid is returning for a two week run.

Hopefully the return will spur some more donations and we will be able to keep it going a little longer. But, in the meantime, come back every day this week and next for your fix of The CHelation Kid.

It’s been a few months since Free Comic Book Day, and I thought it was time to do a wrap up.

Going in, my goal for participating was to raise awareness about Wahoo Morris, with the hope that two or three hundred stores who hadn’t tried the book out might get a chance to see it and then bring in a copy of the trade paperback.

Around 10,500 copies of the FCBD book went out to 695 stores to be distributed on Free Comic Book Day. Of those 695 stores, only 29 had previously ordered the Wahoo Morris trade paperback.

Post FCBD I got an order from Diamond for 32 copies.

I don’t have the data for how many of those books went to stores that hadn’t previously ordered, but the results were a little disappointing to say the least. I probably gained no more than a handful of new stores.

I have no way of knowing if the free books were distributed to people who were looking for a freebie and would never be back, or who don’t know you have to special order a book like Wahoo Morris, or if the majority of those stores just aren’t interested in bothering to order a book like Wahoo Morris on the off chance that any of the takers of the FCBD book will be back for more. Maybe offering a FCBD book isn’t enough to overpower Previews overload, and I still got overlooked at the back of Previews. Or maybe the Free comic just didn’t appeal to anyone.

I know the latter isn’t the case as I have made multiple sales at conventions to people who read the FCBD book and loved it.

So, the conclusion is that, according to the goals I set for the promotion, Free Comic Book Day was a resounding flop for me. I might see some long term benefits, as it probably did raise my profile somewhat, even if my book is only available in 29 comic stores worldwide.

Will I do it again? Never say never, but probably not. I think I would rather spend my money targeting my audience directly by giving out free tastes at conventions, and supplying interested retailers with freebies directly instead of the blanket shot that was FCBD.

I still think Free Comic Book Day is a good promotion for the industry as a whole, but for an individual indie publisher trying to get into more stores – not so much.

After many long months of radio silence, new updates of Wahoo Morris (the web comic) began today.

I’ve spent the last few months pencilling ahead, completing close to 40 pages of Wahoo Morris Book 2. I have begun inking them and should have 5 done by the end of this week, with another 3 or 4 per week through the summer. As I’m sticking to a once a week update schedule, it looks like I might actually be able to keep up with regular updates through the remainder of the year.